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The microphone features dual cardioid microphone capsules to capture the front and rear sound fields around the camera. For the first time ever you can now capture the camera operator directly so they don’t sound muffled or distant when they narrate a scene or ask someone on camera a question.
The D4 DUO also features an AUX 3.5mm input that bypasses audio from the rear microphone capsule. This puts the front capsule’s audio on the left and your AUX audio on the right channel of your camera or recorder. Now you can capture crisp lavalier quality audio during an interview and capture a dynamic soundscape of
natural sounds going on around you that you can layer back into your interview in post. This technique of capture a shotgun and a lav at the same time is standard practice for TV News and broadcast but has never been able to be achieved with smaller cameras before without a mess of cables or external audio mixers.
Why carry around bulky audio attachments when you don’t have to. Videographers and content creators carry enough as it is, shouldn’t their gear do more than just one task.
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